Generators
Generators are short prompts for finding new seeds, images, voices — bits and pieces that might fold into your writing. Most generators here are for inventing from scratch; some are marked “for ongoing process” and are specifically framed to help expand the radius of writing that you’ve already embarked on.
here's A Generator dialed up at random:

Make a New Edge
An audio recording of this generator is playable at the bottom of the page.
Begin with this image to help activate the idea of edge: a lake is dammed by loggers and the water level rises, so that what was the shoreline is now underwater. New grasses and plants thrive in the new shallow edge that is both water (newly) and land (before). These plants attract both grazing and swimming creatures to this special place. The edge is both one thing and another, a hybrid that supports its own forms of life. The presence of this edge changes the patterns of movement and growth in the surrounding area.
For this generator, take two story elements that were once distinct, and overlay them so that there is a new edge between them where something different can be supported, where something new can thrive.
Story elements might be two similar forms (two forms of weather, two settings, two types of stagelight, two characters, two sounds, two monologues, two metaphorical or poetic devices, two kinds of thinking). Or they might be unlike things, so that you make an edge between, say, the radio and a character’s stream of thought, between a storm and a building or between a storm and a monologue.
Explore this edge in freewriting or in a diagrammed or cartooned sketch, tuning in to what might grow, augment, or otherwise change about each individual element in their overlap. Tune in also to what might disappear. Then experiment with placing a few existing characters, figures, or narrative fixations into this edge space, whether of your own invention or acquaintance, or borrowed from some old common fund of storytelling.
The seed of your generator is a possibility uniquely offered by this edge, this meeting place, to these figures+ you’ve placed into it. Write a scene that brings this possibility into focus and play.
here's the full generator archive:

hearing a new voice
Write a description of the room you are in as you write. Root yourself in a clear first-person voice (though feel free to role-play here;

scene from details
Choose a scene or moment from your last 24 hours for a quick, highly compressed study. Start by making a sketchy, diagrammatic map of the

filter approach
Make a list of images or scenes or language ideas that you’ve imagined being part of what you’re making right now, but that haven’t yet

nesting set
Do the “human observation” tuning exercise. Then take something articulated in your tuning and invent a new character to contradict everything you just wrote. Let

flaming beetle
If you did the list of 100 unrelated words last week, find it now. (If you didn’t, do the exercise: write 100 words, each of

two new figures
Do the tuning exercise, “caption meditations,” then take one of the scenes and populate it with two new figures. Follow their conversation. Try to tune

monster soliloquy
Start with the tuning exercise, tuning your monster. Then let the monster soliloquize, if you conjured one. If you instead found a monstrous inclination to

a story guide
Visualize the world of the thing you are writing: its geographic center, its horizons. Then imagine a figure who could know about that world, perhaps

article plunder toward mysterious exchange
Find an article about something you don’t know much about. Circle or highlight twenty words. Write a conversation between two beings that incorporates at least

the new-room-of-the-house dream
Take up the classic dream of finding a new room or wing of the house you live in (or one that you used to live

bookshelf as image pantry
Go to your bookshelves and open one of the books you’ve been meaning to read but haven’t, one that’s been waiting for you for a

following character generator
*The script of the exercise is below. If you lead yourself through this exercise, read each step, do it, and then read the next, and

ballad
(for expanding something already in process) Visualize the world of the thing you are writing: its geographic center, its horizons. Then imagine a figure who

color & temperature
Choose a color and a temperature. Scan your memory for a moment in your life that matched that temperature and whose light or environment held

memory recall list from Lynda Barry
This is a memory recall exercise from Lynda Barry, variations of which are found in many of her books (Syllabus is a great place to

map of the area
(for building out something that is already in progress) Draw a compressed geographic map of the region of something you’ve already started writing or imagining.

echo, exchange, erasure
Find an article about something you don’t know much about. Circle or highlight twenty words. Write a conversation between two beings that incorporates at least

swerving self-interview
Do a self-interview (wherein you pose yourself questions and then fully answer them) on what you’re interested in writing about. Let each question follow up

empty avenue
Take yourself, in your mind’s eye, to an empty avenue. It could be a dirt road, a suburban causeway, a city street. Follow your interest