TUNING EXERCISES
Tuning exercises are designed to clarify what is important to you today. They open space to mark the subtle or not subtle changes over time in your temperament, commitments, and sense of self as a writer.
here's a tuning exercise dialed up at random:
Something from the Empty
There’s a song by Dan Melchior* that goes isn’t it empty sometimes / isn’t it empty sometimes? / you gotta try and make some thing out of the emptiness.
What’s a way to think about emptiness that doesn’t bog down with bad implications? What’s a way to attend with curiosity to some kind of emptiness that is an occasional or even a steady presence in your life? A dropping-away of obligations or relations that once were there. Or maybe an emptiness you perceive somewhere adjacent to your life. An empty parking lot you pass, an emptiness in a certain kind of rote transaction or professional hoohaw you have to occasionally perform.
Choose a specific emptiness that interests you.
What would making some thing out of this emptiness entail?
As preparation for this tuning exercise, sketch, in words or in drawing, the map of this empty zone.
Then write in a notebook, for five or ten minutes, tuning yourself toward what kinds of making and what kinds of things you could make out of this emptiness. What would matter to you as you turned empty into something? What is the emotional, relational substance of the way you would approach this hypothetical creation?
You might think of it as a kind of repair, a restart, a gift, a ceremony, an acknowledgment. Or you might think of it with a little more wildness, a kind of decreation of decreation, an undoing that becomes a doing, an act of negation that turns a negative charge to positive. An act of presence or insistence.
Read over what you’ve written about your hypothetical emptiness conversion. Look for tasks or assignments or reminders — about what matters and how you want your making to be — that you can port into your writing day. Write some of these tasks down on an index card or post-it you can put in view of your writing space, so you can occasionally, cyclically remind yourself of these tasks while you’re working. Maybe the reminder will create a space to follow a different impulse or invitation than you’re accustomed to. Or maybe it will lend you a useful commitment.
Optional add-on: trawl your writing and turn it into a song. Borrow an old tune or trope. Embrace repetition. Play dress-up if you feel like it and write in the style of one of your heroes. Now you have something to hum as you write.
*The song is Bureau of Neurotic Grins.
here's the full tuning exercise archive:
human observations
Set a timer for five minutes and write into what you’ve observed or come to understand lately about how humans act or feel. This could
arrival
Instead of writing, today do you your tuning physically. Take a walk, lie down and breathe for two minutes, or just sit in your chair
caption meditations
Set a timer for 6 minutes and cull images or scenes from your last few days. Give each one a simple descriptive identifier (i.e. letting
tuning your monster
Somewhere once, I came across the phrase “he gave birth to a monster of his imagination,” I think in reference to a philosopher. As a
walking inventory
Take a walk. It can be around the room, your apartment, your house, your neighborhood. Find at least ten details you’ve never noticed before. Make
self-interview with borrowed voice
Do a self-interview—an exercise wherein you fully perform the role of both questioner and answerer. Start by asking yourself what’s been surfacing in your writing.
letter of questions
Read over what you’ve written so far, and then write yourself a letter full of questions. Ask about the things that haven’t been included. Ask
week reflection
Reflect on your week of writing. What has surfaced that surprised you? What approaches to the practice (time of day, duration of session, writing implements,
sounding line
Imagine your writing can work like a sounding line, going from a surface to a depth and back up again. You can think of that
the social yesterday
Set a timer for 5 minutes and try to record all the thoughts you had yesterday about your own experience while navigating any social, communal
contents of your mind
Set a timer and write for 4 minutes trying to articulate the contents of your mind as you are today—the recurrent questions, habits of understanding,
soft edge of present mind
Write one or two full pages that try to braid together your own running mental monologue with an account of what’s happening at this moment
rest and energy interleave
Do a timed writing (suggested 7 minutes) reflecting on things that give you energy and things that bring you to rest. Interleave the two directions,
Retrospection–Prospection
This is a timed writing for arrival into your day’s writing mind. Set a timer (duration up to you: 5 minutes, 10 minutes, 15 minutes).